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Heinrich Hoerle
Heinrich Hoerle (1 September 1895 – 7 July 1936) was a German constructivist artist of the New Objectivity movement.
Hoerle was born in Cologne. He studied at the Cologne School of Arts and Crafts but was mostly self-taught as an artist. After military service in World War I he met Franz Wilhelm Seiwert in 1919 and worked with him on the journal ''Ventilator''.〔Schmied 1978, p. 127.〕 Together with his wife Angelika (1899–1923), Hoerle became active in the Cologne Dada scene. He co-founded the artists' group Stupid, and in 1920 he published the ''Krüppelmappe'' (''Cripples Portfolio'').〔 Hoerle's work retained a certain dour absurdism after he adopted a figurative constructivist style influenced by the Russians Vladimir Tatlin and El Lissitzky and by the Dutch movement De Stijl.〔Michalski 1994, p. 116; Poore 2007, p. 34.〕 His paintings feature generic-looking figures, presented in strict profile or in stiff, frontal poses.
In 1929 he began publication of "a-z", the journal of the Cologne Progressives art group.〔Michalski 1994, p. 116.〕 He was among the many German artists whose works were condemned as degenerate art when the Nazis took power in 1933.〔Michalski 1994, p. 212.〕 He died in Cologne in 1936.
Public collections holding works by Heinrich Hoerle include Museum Ludwig, Cologne; ; ; The Von der Heydt Museum in Wuppertal; and the Busch-Reisinger Museum in Cambridge, Massachusetts.
==Notes==
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